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Posts by snab_snib
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2017-05-14 at 2:51 AM UTC in Some theoriesfaggot. this is LITERALLY what literal fucking *ANGELS FROM HEAVEN* look like.
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2017-05-14 at 2:48 AM UTC in Trigonomicon chapter 4
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2017-05-13 at 11:22 PM UTC in Hey malice
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2017-05-13 at 11:19 PM UTC in 25. THE jediEL OF KNOWLEDGE25. THE jediEL OF KNOWLEDGE
The general context and description is given in the "Cosmic History".
I have not been able to run this completely, not because of charge (this is no force on this) but on account of the difficulty of conceiving of it.
Almost everything here was gotten by emeter assessment.
I did not find these in order, and I have not found it possible just to scan through and pick these up in sequence. Trying that just gives me vague impressions of things I can't seem to spot or grasp.
Instead, I got these by occasionally having an idea such as "they probably told us something about how to perceive things", and then checking it on the meter. If I can get something reading, then its possible to check other things about it and once I get enough, then it becomes possible to scan through the incident within the particular chamber of the jediel. I think that it runs this way because it is way out gradient and I'm reaching past about 3 layers of other stuff to pry one of these out.
Running this was not so much productive of case gain (and it never seemed very difficult to face up to or handle), but it was immensely revelatory as to the context of everything and what has happened to us. I could not have written the cosmic history document if I had not run a bit of this first.
Unfortunately, I still haven't managed to run the entire thing, nor have I handled all the other stuff that's piled on top of it. So at best, I only have a halfway view rather than a complete picture of our existence.
Here I will list the chambers that I have run. They are numbered K1 on up (the numbers were gotten by meter assessment) but many are missing.
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K1: The 1st split viewpoint
You enter the first facet and see a line. You feel that there is more out of sight. You keep shifting around and seeing different lines. You realize that there is something of vaster scope present but you can only perceive a single line of it at a time.
You realize that if you could view two different lines of it concurrently, you would know something. So you hold line fixed in view and try to look at another line simultaneously. In viewing the second line, you pull apart from yourself.
Now you look through two different viewpoints simultaneously and by holding them both you find that you are able to perceive a surface (a plane). Usually it is a square, but you can see it as other things such as a triangle depending on how you shift the 2 viewpoints around (like seeing the intersection of a plane with cube at various angles).
You still feel that there is more to know, so you hold the plane steady and try to pull out and see more. You pull apart from yourself again and become 3 and see a 3D object. It is usually a cube, but again, it shifts various ways and you can tell that you are looking at different cubes etc. that are part of a larger whole.
Again you pull apart another viewpoint and see 4D, and again for 5D. This time it is very real and doesn't shift around. You are quite pleased at this and feel good.
Then you try splitting further into 6 to see if there is any more. But the object is only 5 dimensional and all you see is a little thickness in the 6th dimension. But in doing this, the object has become ghostly and unreal. This makes you sad (not really an emotion, but a bit of a feeling of loss and disappointment).
So you choose to forget the 6th viewpoint and pretend that the object is real. It becomes solid and you admire it for awhile, but you know there is nothing more to know and the sequence is at an end. So eventually you drift out of the facet and continue on to the next.
( later facets repeat this with a twist to lay in decisions on splitting, abandoning viewpoints, forgetting, and not-knowing).
(this facet is aimed at experiencing the reality of the object. It uses the same number of split viewpoints as the number of dimensions being perceived, because the perception is by permeation rather than looking. There are later facets where you are taught how to look at something with one less viewpoint than the number of dimensions used in the object, just like we look at 3D space with only 2 eyes).
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K2: The Need for Agreement
You enter the next facet. At first there is only a white nothingness (void). You search for something to see but there is nothing.
Then gradually you sense the presence of another being. You shift around until you feel the nearness of one of his viewpoints. You shift over to that viewpoint and see a curved line.
Although you only see a line, you realize that he is looking at a 5 dimensional object using 5 viewpoints. So you split out to 5 and try to see it, but you still only see the curved line. You realize that this is because only one of your viewpoints matches his.
So you shift your viewpoints around until they overlay his 5 and a 5 dimensional sphere appears. You like this, it is interesting and gives havingness.
You experiment by shifting one of your viewpoints off of his and the sphere looses a dimension and becomes hollow. This is a loss of havingness and you don't like the loss. So you shift back and it goes solid again and feels better.
From this you learn that agreement is necessary.
After awhile you realize that nothing else is going to happen and you shift out of the facet and go on to the next.
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K3: Duplicating Others
You sense another being. He mocks up a point and then extends a line from that point. He invites you to do the same.
Eventually you do it and have a line. At first you don't put it in the same space as his line and therefore lose sight of his line when you mockup yours. You realize this, and mock it up again in the same space as his, and then you have both lines.
He then divides and extends another line to make a flat square and invites you to do the same. Eventually you do.
This is repeated with 3 and then 4 dimensional objects until you're both mocking up 4D cubes.
You gain havingness from your object, and the patterns of mocked up cubes are interesting. From this you see the need for following instructions and duplicating others.
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K13: The Need For Games
This is done in a 13 dimensional space with cube equivalents that have white and black sides and are numbered (like building blocks).
You move them around at random and it is uninteresting.
You sort them into sequence and it is more fun.
Note: the numbering is done by having black dots on the cubes (like dice) rather than using symbols that represent quantities.
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K14: The Need For opponents
(Like K13 above). Now you see two groups of cubes in a 13D space. One set is white and the other is black. Each set is numbered, but the series are not identical (numbers are skipped in each of the two series). You take one series and he takes the other and you race to see who can get them in order first.
You see that this is more interesting than the previous game (K13).
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K15: The need to ensure an opponent
Like K13 and K14. The opponent weakens and the game is less fun. So you encourage and help him.
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K16: The need to create an opponent
Like K13 to K15. This time there is no opponent.
So you divide and part of you becomes the opponent. You see that this is necessary.
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K22: The Need For Barriers
There is a sort of 7 dimensional cube with gaps and sockets etc. There are other objects that are to be fitted into the corresponding openings in the cube.
You see another do this and it looks interesting.
Then its your turn. But the objects drift through the walls and through each other. It is only fun if you make the different objects block each other.
From this you learn to create barriers and solidity.
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K23: Encouraging Agreement
You enter a space with 4 others. You all mock up a 5 dimensional cube. It is pleasant havingness. One of the others slides out of agreement and the cube goes hollow.
You wait. Some of the others encourage him to return. Eventually he comes back and the cube goes solid again and it is nicer.
Then it happens again. This time you work at encouraging the one who left to come back and agree. This works and the cube again becomes solid.
Then you decide to go out of agreement and leave. You lose sight of the cube and only see a line. You feel the others encouraging you to return. So you come back and the cube is solid again.
Then you all remain there for awhile holding the cube solid. It feels nice.
From this you realize that it is necessary to encourage the agreement of others.
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K24: The Need To Agree on Barriers
This is a game like K22 but it is done with a 5D pyramid. But many people are playing (like K23). You are all racing to push your objects into the sockets in the pyramid ahead of the others.
But the game is not fun as long as your set of objects passes through other peoples. So you all learn to make each other's objects solid so that you can play the game.
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K27: The Need To Enforce Agreement
(This is one of the ones that got us into trouble. It could be called the "predisposition to implant others").
This is done in a many dimensioned space. There are 14 dimensions which are not properly aligned. E.G. they are not at right angles to each other.
Each dimensional anchor point is being mocked up by different beings.
You are trying to align two 4 dimensional objects but can't get them all on the same axis until all agree.
You see that all of you are getting nowhere. So you agree with another to share your anchor points. Then the two of you have more than the others who are insisting on being individualistic. But they wouldn't change their minds.
So you and one agreeing with you join forces to implant each of the others to make them go into agreement. You do this by taking hold of one of them and hold them in an object until they choose to agree to it. Since you block their perceptions and anchor points while you do this, eventually they do choose to agree. Since you outnumber them, any efforts they make to fight back fail.
You do this to each of the others, taking them one at a time and adding them to your group (since it becomes larger, the process gets easier).
When all agree, the space condenses into a single definition which is pleasing.
From this, you see the need to force others into agreement.
(there are more variations on this in later chambers. One has many beings moving in harmony and when an individual goes out of agreement, it is unpleasant for all the others and you force him back. In another, there seem to be fake beings as well as real ones and you see that you only need the agreement of the real ones and can dispense with the fakes).
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K37: Sensation
There is a 4D object before you. It has 13 3D sides where each side is a 3D object. The 3D objects are square pyramids (4 sides plus a square base). 10 of the 3D objects are solid and 3 are hollow.
You receive the intention that this is your form and that you are being encouraged to become it. So you choose to be the object to see what happens.
Then a 4D energy beam comes in and bounces in and out of you (your multi-pyramid form). It comes in via a hollow pyramid, ricochets off of the solid pyramids, and then goes out via a hollow. Because there are 3 hollows, the beam is unbalanced and disorderly and you feel incomplete.
Then another being in a form similar to yours comes out.
The two of you align your hollow areas and project beams at each other and everything goes into a nice balance and feels pleasant and orderly. There is a nice rhythm to it. You receive the idea that this is pleasure.
Then the other object/being turns from you and goes out of alignment and the beam becomes all jagged and disorganized. You do not like this. You receive the intention that this is pain.
Then the beams stop and the being leaves, going on to the next chamber.
(note that there are no words in this, and I am assigning the words pleasure and pain here. But what is actually projected is just a sort of arbitrary intention which is then defined by the experience itself. It is more like somebody tapping it with a pointer and assigning a tag for later reference).
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K38: Pleasure is at other's expense
You follow the other "pyramid being" from K37 into facet K38 which is a 6 dimensional space. You still have the "pyramid form" mocked up for yourself.
The space contains a total of 14 of these multi-pyramid bodies including your own. Energy beams dance around, and you join in the exchange of beams. The beams are out of alignment and it is mildly unpleasant.
Another 2 beings get into good alignment and begin experiencing "pleasure". But this throws every body else's beams into worse alignment and you feel "pain". So everyone else pushes the 2 back out of alignment.
Then you have the chance to go into alignment with another and you do so. It is pleasant, but you notice that everyone else is in pain again. You let them push you apart, and everyone including yourself goes back to the mildly unpleasant pattern.
From this you realize that pleasure is achieved at the expense of other's pain.
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K64: The need for rules
There are 3 beings in a 7 dimensional space.
Two of them mockup an elaborate game with what see like spirals or helixes, rods and cones, energies, and balls bouncing around.
They play, engrossed and interested.
The third being joins them and plays too. But he doesn't know the rules and invents his own and plays differently. The others become frustrated and begin altering the rules to suit themselves to keep up with the new player.
The game becomes chaotic and falls to pieces. The players back off and see the results and feel unhappy.
So they get together again, and this time they define the rules in terms of the spirals etc. and build a mockup that shows these rules. Then they push copies of the rules into each other (sort of implanting) so that you can see the rules within each of them.
Now a 4th being arrives and is implanted with the rules before he can play.
Now all proceeds well and all are "happy".
Then you join the game and since you have seen the need for rules, you allow the others to implant the rules within you.
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K ?: The need for players
A many dimensional sphere is bounced back and forth between two teams (8 players each?). The game is pleasant. A player wanders off and then the game is less fun. Others wander off until there is nobody left but you. You sit there alone and bored.
Then another group comes and joins you and begins to play. One of the players tries to leave, but the group holds him and forces him back into the game. Then the game becomes even more pleasant.
This shows you that you have to force others to remain in the game.
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Other Facets:
There are many others I have not run thoroughly but which I have gotten a bit of. Besides the ones mentioned above and in the Cosmic History, there also seems to be some that are as follows:
a) The need for duplication
b) The need for imperfect duplication
c) the need for persistence.
d) the need for admiration.
e) the need for acknowledgment
f) the need to divide
g) the idea that only one will survive
h) the idea that when 2 terminals connect or communicate, one will be submissive and the other will be dominant
i) the idea that if you communicate too freely, you will connect to terminals who will dominate you
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Afterword:
The jediel of knowledge seems almost too silly and simpleminded. Only an innocent new being would swallow it so completely.
Its power came exclusively from the fact that it was going into a complete vacuum of no data or experience.
I'm sure that there are more troublesome predispositions in this thing that I haven't yet spotted. -
2017-05-13 at 11:19 PM UTC in 21. THE THIRD EYE IMPLANT21. THE THIRD EYE IMPLANT
See History of Man for a general description of Fac 1 and see the FAC 1 platen given elsewhere in these materials. This incident is almost identical to it in style, context, and in terms of the implant machinery used. I dated some of these at around 1 million years ago with a duration of around 45 to 53 minutes. The earlier one that I labeled Fac 1 seems to be a bit earlier, at around 2 million years ago.
Probably the first Fac 1 implant was replaced by this one. But it is also possible that both platens were used as part of the same implant. Since these are very late on the chain, its hard to get good data because there is a tendency to mix things up with earlier incidents that were restimulated. Since a lot of the context is the same, and since Ron was pushing people into locating Fac 1 by describing it to them first, it is probable that he got either one on PCs at random when it was being researched in 1952.
It seems to occur at about 14 items per second giving around 6 minutes per run with a small pause between runs as the beam is redirected.
Each run comes in as a supersonic beam containing speeded up verbally stated items (in an old language). You can't hear the items as it happens, you just hear a noise, but BTs and Split valences sometimes caught the items (i.e. subliminal).
There are 9 runs: 1 - Forehead, 2 - right side, 3 - left side, 4 - chest, 5 - stomach, 6 - mouth, 7 - right eye, 8 - left eye, 9 - genitals.
The items are in the form To (goal) IS TO BE THE (valence). They do all 64 penalty universe goals on the valence of the first penalty universe, then they repeat with the valence from the second universe etc. The goals run from Create down to Endure, the valences run from the Statue down to the Pyramid.
I.E., the first item is To Create is to be the Statue. The second item is To Mock up is to be the statue. After they get down to To Endure is to be the Statue, they change to the second terminal.
Since all valences and all goals of the penalty universes were Chris-crossed with each other, this acts like an endless set of wrong items.
There is also an overt side to this where you are the operator of the Fac 1 machine. In this case, you might get a vibration of wrong items in your hands as you turn the crank etc. -
2017-05-13 at 11:18 PM UTC in Dynamic 16 (Creation)========================================
Dynamic 16 (Creation)
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1. TO CREATE (Statue)
environment = suns & planets & peoples of all types, you create them & abuse them & get zapped by the Suns (gods).
Inc. 2 loc = St. John, Canada; Pyramid = center of Atlantis (inc 2 scene - God statue on a dolly being pushed up slopes of a volcano by a crowd). The price of creation is to be blamed. To survive is to depend on the worship of others
Time = a planet circling a sun. Space = a vast plain full of cities & peoples Energy = energy blast from space shatters a mountain. Mass = worlds in collision. God = Giant sun Worship = people bowing before statue & putting on garlands etc. pain = statue hit with energy beam that makes cracks. degraded = beam from sun divides statue making black cracks. Trouble = hooded priest (who can call on the sun gods).
Detail: You are god in the form of a statue that floats around and puts out energy beams etc. At start the statue has a young, beautiful, radiant face, by the end it is the old man of R6. You are in a cluster of suns and planets. The suns are senior gods (who zap you in the end). There are other lesser god statues (such as a Venus-like 2D). The planets have lots of meat body people of endless different types (from other penalty universes). You do 7 great deeds and the people worship you & build temples & replicas of your statue etc. But you get into problems and troubles and dramatize the wrath of god on the people and fight with the other statues and teach the planet people to build traps and get caught sometimes yourself and go on rampages etc. You even get somatics in your statue (& even from defilement of the statue copies) & become mean. The people catch you in an energy cage and you're dragged into space where the stars judge you & zap you etc. (divided against yourself with permanent black cracks in your statue) & you become weak & everyone laughs etc. Finally you crumble & fire devils haul you (the soul of the statue) off to hell which is a pyramid in the sky with a volcano at its peak that they toss you in & there you are tortured & hit by the souls of the millions of people you have wronged.
At this point you should spot "To Create Is Native State" as the first item of this implant universe. And spot being pushed into it and spot pushing others into it.
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2. TO CAUSE (Old Man God on Heavenly Throne)
This penalty universe was found very late in the research. Originally I had "To Mock Up" as the second goal (now number 3) and "To Intensify" as the third goal (now number 3X - probably belongs in an upper or earlier series).
environment = heaven in the clouds with a golden throne etc. You look down at the world and play god etc.
Inc 2 location = Rome; Pyramid location = Atlantis (incident 2 scene - God on a golden thrown falling from the sky down into a volcano) (god on throne says) The price of causation is to become effect (of your own cause). To survive is to depend on the subservience of others (?).
Time = Heavenly Clock (golden, sitting in clouds) Space = Celestial Palace (gold & crystal) Energy = a wave of golden light Mass = The gold throne You = god, like an old man on a throne Trouble = Devils (red demons with horns & tails)
Details: At the start, you perform 7 wonderful acts of creation (like the biblical 7 days). You bring people etc. into existence and send out cherubs to inspire them and angels to bring them into communion with you. When the people turn out bad and troublesome, you create devils to put ethics in on them and force them to be good. But the devils decide that you are the most lawless being around and try to make you follow your own rules and make you wrong etc. You smite the devils for this but they rebel & you cast them out but now things get really bad. You're unwilling to be the effect of your own cause and can't have being on the other side of what you do to the creations. You wouldn't follow your own rules. But you feel guilty about this and consider that its basically unfair but you do it anyway and sink down tone. You go on rampages and destroy things and everything goes out of control and finally you can't bear to be god anymore and throw yourself into a volcano to die. But the devils drag your soul down to hell and torture you.
Now spot "To Cause is Native State", etc.
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3. TO MOCK UP (Computer)
environment = a flat plane, you build a city & bodies for the spirit beings, then you do them in & get zapped by the vortex gods.
Inc 2 loc= Washington DC; Pyramid=Lima,Peru. (inc 2 scene - people carrying broken pieces of a computer up slopes of a volcano to toss it in). The price of creative thought is to be questioned. To survive is to depend on the approval of others
Time = Digital display
Detail: You are a large computer (many boxy cabinets) on an empty plain. There are vortex gods (whirling energies in the sky) who created spirits. The spirits come to you and ask you to mock up things. You perform 7 wonderful mockups (you postulate electron structures and laws and build solid things) including creating bodies of various types (human, doll, animal etc.) and a city for them to live in etc. Sliding downscale, the mockups become more & more complex. Eventually you lose control of your own creations (can't keep track anymore). People ask you questions, especially reasons why, and you don't know anything except by your own creation so you invent answers and introduce false data and have problems etc. You begin to dislike the people and introduce wrong data to harm them etc. & eventually things get wrecked etc. In the end the people curse you & pray to the vortex gods who then zap you etc.
Now spot "To Mock Up is Native State", etc.
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3X. TO INTENSIFY (Energy Cloud)
This probably belongs in an earlier or higher series of penalty universes. It has a non-physical body type and strange multi- dimensional spaces etc.
environment = flat squares are planets with people sideways from your dimensions. You manipulate symbol shapes that affect the people in the squares. Inc 2 loc = Bermuda triangle?; pyramid loc= Canton,China(Ohio?) The price of intervention is to be trapped in form. To survive is to depend on the blindness (symbols?) of others
Time = electron decay. Space = Energy = Mass = You = an energy cloud. Sensation = 2 clouds intertwined. danger = a pole trap. confusion = pictures exploding. Entrapment = an energy cage hanging in space. Interest = symbols hanging in space. Trouble =
Details: Symbols (figures, objects, etc.) hang in empty space and connect to (& are generated by) the inhabitants of the planes (which orbit around suns). You and other energy clouds can affect the peoples on the planes by moving symbols closer or further away or adding & subtracting connections to the symbols or by making the symbols degrade. At the start you perform 7 wondrous enhancements for 7 of these planes by connecting them to marvelous symbols etc. But you slide downscale & commit overts on the people and play by messing them up etc. and have trouble with other clouds and teach plane people to develop theta traps etc. You touch symbols and they explode; there are pole traps and boxes of exploding pictures and energy cages etc. Also, pieces of yourself get drawn into & stuck in the planes etc. In the end a vast statue (god) punishes you & divides you against yourself etc. & eventually you are dispersed into pieces & placed in the symbol of a coffin & devil statues drag you out & push you sideways into a volcano on a plane.
Now spot "To Intensify is Native State", etc.
Carry on like this, spotting the native state item, through the rest of the goals.
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4. TO IMAGINE (Cartoon Mouse)
environment = cartoon bodies trying to out create each other. You invalidate others mockups & make degraded mockups, the giant mouse god (statue) zaps you, etc.
Inc 2 loc= Florida & Brazil (?); Pyramid loc= West Lemuria The price of imagination is to create your own fears To survive is to depend on the illusions created by others.
Time = (some sort of cartoon watch)
Details: You are a sort of big plastic mickey mouse (a cartoon like doll body). The characters include mouse people and duck people & others (Disney like). Everyone can generate illusions which become real if they can get others to believe in them. At start you do 7 wonderful illusions which others believe in and make real. Sinking downscale, you create harmful things which go out of control, others get bored with your mockups, you imagine degraded things to get interest, etc. Eventually your creations are too degraded but you can't stop. Others are disgusted & shatter your illusions & haul you before the mouse god who divides you against yourself. Eventually your thrown into a spirit shredder & your pieces are put in a mausoleum. Cartoon devils drag your soul out & carry you to the illusion of a volcano but you can't stop believing in it and so are trapped by your own illusions. -
2017-05-13 at 11:18 PM UTC in 22. THE MUD UNIVERSE22. THE MUD UNIVERSE
The next lower prison universe has already been built. The entry point is through a black hole at the center of our galaxy. They are already tossing people into it, but its just started so most people come back up and out pretty quick. Most people on Earth, being of the troublesome type that gets sent to prison planets etc. have probably been down there once or twice already.
It seems like Hellotrobus structured the mud universe as their last act in this galaxy. The remnants of the old Hellotrobian hierarchy may be in power there now.
In the Mud Universe, space is very solid, feeling like molasses. The goal of this universe is To Persist. Note that survival implies continuing to struggle to live whereas persist implies simply hanging on as a rock or whatever. The normal tone band (i.e.. the thetan plus body range) is -8 up to 0. It is an unpleasant place. -
2017-05-13 at 11:17 PM UTC in 20. THE MAGIC UNIVERSEEntry to the magic universe has an incident which shows you a wizard who floats out over the water from an Arabian style ship while holding a glowing ball between his hands.
The bodies again look like meat bodies but internally they have a structure based on the Chakras described in Eastern Metaphysics. Many of the early medical dub-ins such as the blood running in tides (instead of circulating) and "humors" etc. might also be part of the physical anatomy of the magic universe bodies.
Many of the wrong ideas that people believe instinctively (whether superstition or incorrect science) were actually true in the magic universe. People are just behind the times so to speak.
Based on the inspiration of the eventual 2 layered structure of the thought + conflicts universe, the magic universe was constructed with a physical layer plus a heavenly layer and a demonic layer. Dead people went around in a visible spirit body which was the older body mockup of the conflicts universe.
The goal of this universe was "To Enjoy" and it was primarily a hedonistic pleasure seeking place. It was quite heavily oriented to sex etc. Fantasy stories and fairy tales and most current metaphysical and witchcraft ideas are based on vague recollections of the magic universe.
But, as always, you have some people trying to lord it over others and you have another group trying their best to condition people to make them good.
Here the definition of the game called for many gods and goddesses, demons and devils. And many came down willingly from the conflicts universe armed with higher level knowledge to establish themselves in these positions.
And the games and wars and whathaveyou went on for the usual long period of time until a need for yet a lower prison universe was agreed upon by all. And so the current physical universe was built.
After being sentenced in court, the prisoner usually goes down a spiral path lined with statues of the penalty universe terminals and ends up at a sort of Greek style pool at the center where he is pushed under and finds himself shifted to this universe. -
2017-05-13 at 11:16 PM UTC in Who wants a job?, I'm hiring people to ruin these kids lives PAYING BITCOIN
Originally posted by SCronaldo_J_Trump Yes. I will pay $1000 BTC (0.6516) to anyone who can SWAT them during a live recording, it shouldn't be hard to do with social engineering. They will be jamming out and then we call in a gang rape bomb threat
They literally paid money to have their video spammed in my speakers I don't fucking care fuck these punks I want them DEAD
you just committed a felony. enjoy prison. -
2017-05-13 at 11:14 PM UTC in Suggestion: Delet this neffew
Originally posted by Captain Falcon Delete all records on Niggasin.Space and start it anew just to troll fags who care too much about their e-dentity
fucking do this, no questions asked, no hesitation. fucking do it. i'm telling you. look at me. look at me. you fucking nigger fucking faggot bitch. i am the fucking admin now. fucking do it. nigger. -
2017-05-13 at 11:13 PM UTC in Trigonomicon chapter 4
Originally posted by Dissociator As trianglists, we worship and are watched over by multiple entities, The prime entities are Bassyun (entity of light, positive energy, and wellbeing), Raj (The sun God of neutrality) and Figyarnus (entity of malevolence, negative energy and darkness). These are the 3 entities that keep the structural integrity of the holy triangle intact.
We are judged by the outliers, an infinitely expanding mass of controlled energy. They take the form of people we know, thoughts we remember, and everything we have and will experience.
Work in progress
are you writing a shitty science fiction book? is that what this is? because that's what it looks like.
you're like a century behind scientology.
http://freezoneearth.org/pilot/sscio/index.htm -
2017-05-13 at 11:11 PM UTC in Destruction of a community
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2017-05-13 at 6:34 PM UTC in Destruction of a community
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2017-05-13 at 6:33 PM UTC in Destruction of a community
Originally posted by SCronaldo_J_Trump The only country that adhered to the family responsibility principle,
this system only really works if it's the entire planet, and there's nowhere to run, computers/satellites/bugs watch literally everything and the 'exterminatus' is carried out by either robots or cyborg religious fanatics. absolute population domination. -
2017-05-13 at 3:48 PM UTC in Destruction of a community
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2017-05-13 at 3:47 PM UTC in how to make crystalized dmt?
Originally posted by AltarEgo 100 g would be theory. That is quite a bit of the compound but from what i hear large scale extraction doesnt yeild as much for whatever reason. Then again if the procedure were performed perfectly (i.e. good form, lab setup and chems) there is a huge difference.
But i digress. Much of that very well may end up being nmt anyway. Not nessicarily a bad thing if you dont mind an impure trip.
you're not getting it in one pull, and you're going to want to precipitate and then mix the powder back into the wax. you're not getting 10% yield in powder or shards. it has to be wax. -
2017-05-13 at 3:43 PM UTC in Destruction of a community
Originally posted by SCronaldo_J_Trump It's called harm reduction
in a perfect world, being caught with .1 gram of methamphetamine would result in having your entire extended family killed. town's liek you're talking about would be nerve gassed and then NBC soldiers sent in to exterminate anyone in the area left living.
having a single joint would be death penalty - as in shoot on sight, no trial, no warning. same with cigarettes, alcohol, etc. -
2017-05-13 at 8:27 AM UTC in guy removes beehive
Originally posted by greenplastic https://www.liveleak.com/view?i=2df_1494420942
isn't this kind of like hurting the bees and the bee population or some shit though? imo they should be forced to live with the bees.
can i not post a video anymore.
you should be forced to die -
2017-05-13 at 8:27 AM UTC in Rape culture in americarecently i watched 'a boy and his dog', a 70s movie that set the scene for the entire post-apocalyptic genre and fallout and stuff. i... can't... get... over... the fact it's about a young man whose psychic dog helps him find women and orchestrate their rape.
that's the entire movie. a boy whose psychic dog helps him rape women. the boy is the protagonist. the dog is psychic. that's how he identifies women, and when women are alone and vulnerable.
and then the dog sits there and comments on the etymology of copulation while watching the rape.
quote: the boy: "awww, why did they need to cut her up like that? they coulda used her a lot more times".
Dog: To the right.
Come on.
Not Troy or Hitchcock.
That's it for tonight, shut 'her down.
That stupid broad.
She's in there where
the screamers hole up.
Dog: They're not in there
now, she's in there alone.
Screamers.
Damn it.
How the hell am I going
to nail her in there?
Dog: Simple, stop shaking like
a leaf and go in there and do it.
You sure it's clean?
Dog: Albert, have I ever lied to you?
Go over there, and I'm going
to get one of them mats.
You make one move off there
and I'll shoot your leg
right out from under you.
and you'll still get it
except you'll be without a leg.
Read more: http://www.springfieldspringfield.co.uk/movie_script.php?movie=boy-and-his-dog-a
a different time, boys. a different time. -
2017-05-13 at 12:56 AM UTC in There was this guy who bought a penis enlarger onlinei chuckled
