2019-08-08 at 11:53 PM UTC
Is SpectraL sayin sum dumb shit hehe
2019-08-09 at 12:02 AM UTC
Like literally, who knows how long each time took to TRAVEL TO YOU. just the delay between the two.
Even forget s triangle, just think of a line.
Imagine someone shooting in your direction. They start by shooting straight down at the ground. Then raising the angle up gradually, up, up, up, till they are shooting near your feet. Depending on the angle, the bullet will impact the ground after a different amount of time relative to the initial shot because it has to travel a longer distance.
Now add a second dimension to it. Delendong on where the shooter is standing and where the bullet hits, you can generate the same delay with an infinite combination of angle + distance.
2019-08-09 at 12:07 AM UTC
Originally posted by -SpectraL
Once you have the lag difference, that's all you need to calculate the actual distance, when also comparing to characteristics/limitations/behavior of the bullets being fired.
Nnnnno buddy. Not with one mic.
The following users say it would be alright if the author of this
post didn't die in a fire!
2019-08-09 at 12:08 AM UTC
All this time we could have been capturing full positional audio with just in mic, why didn't the retards in engineering ever ask Spectral
The following users say it would be alright if the author of this
post didn't die in a fire!
2019-08-09 at 12:14 AM UTC
Has there been a response video to the ballistics guy video? Has one person refuted what hes saying other than falco?
2019-08-09 at 2:18 PM UTC
Googled around a bit and found this video. Very few views but the debunk is solid.
The kid takes a different angle than me but the idea is the same: you can produce the same data with a number of combinations of equipment.
And Paddock literally had a small arsenal, I'm guessing yeah, he did us EA couple of different types of guns and ammo at least
2019-08-09 at 7:19 PM UTC
Originally posted by Common De-mominator
Like literally, who knows how long each time took to TRAVEL TO YOU. just the delay between the two.
Even forget s triangle, just think of a line.
Imagine someone shooting in your direction. They start by shooting straight down at the ground. Then raising the angle up gradually, up, up, up, till they are shooting near your feet. Depending on the angle, the bullet will impact the ground after a different amount of time relative to the initial shot because it has to travel a longer distance.
Now add a second dimension to it. Delendong on where the shooter is standing and where the bullet hits, you can generate the same delay with an infinite combination of angle + distance.
the thing is that according to his audio analysis there are two bursts of equally consistent shots, set a and set b instead of a gradual increase or decrease between the time the bullets hit the floor and shots heard.
and the direction of the second shooter was determined by by guessing / speculating the most likely place a secind shooter can shoot from relative to paddock's location.
so if paddock was shooting from 500 yards from the concert floor, then there can be only a few other places that is 300 yards away from the concert floor that can give the second shooter the vantage point needed to produce more or less the same shot pattern as paddock.
The following users say it would be alright if the author of this
post didn't die in a fire!
