I was near Oakland (not sure where Matt Groening is from but was visiting my town)
And he was standing in line of what was Longs Drugs buying something. and I said "Hey you look familure" (now mind you this was mid 1980s before he got his cartoon on that brit comedy show (can't think of it) when the simpsons first started out.. it could of even been later 80s like 87 or 88.
and he points to a rack of comics and says, I am the writer and producer of that. and he posted at one of the books.
I asked him what he was doing and he said he had friends in the town and named one of them, which was a friend of my Brother in Highschool but also a well known musician at the time.
that's what I remember and I'm sticking to that story!
Roman Polanski (though a known ped or statutory rapist) is one of the greatest directors to come to the USA
A film I strongly reccomend to view (if you like silent films) is Aelita (1924 silent era film) about traveling to Mars. but half of the film starts off as poor people working in communist russia and the struggles. I havn't seen the film in years but I think the synopsis is that they wished for a better place to Journey to and live a Utopian life which Mars seems to be but only turns into a distopian paradise?
I'm pretty sure this is the film I saw. it looks like it, except this is true Black and White shade while I saw it in multi colors/facid of both blue tone and the Sepia rust color mixed (Earth and Mars) which reminds me again of Blue Pill or Red Pill/
The next is Night Watch. So the point of this is anyone can make movies if they have the patients and stars that can read and be patient and be yelled at without flipping out.
but the Russians always manage to put mood into their films. Like Roman Polanski's JFK Dream sequence with Mia Farrow. it's so lucid like, You can feel the character's dream and her scene of the Phone Booth and the one I liked the most was the scrable part. the Devil baby at the end is too surrealist. it feels like something you could truly experience yet you're in shock.
American directors are good at frat humor. I also appriciate other nation's directors. The obligatory Alfred Hitchcock comes to mind. Another brilliant person who knew how to truly direct his actors into surrealist emotions with realistic feel.
I mean we have our John Ford and our John Hughs and our John Carpenter and our Spike with his Jungle Fever hit as well as Jordan Peele's new film. truly had it's 70s surrealism with little special effects. when people knew how to act.
this is a great film as well. very well made. it's both surrealism and good 3D affects.
Released: 2004 Director: Timur Bekmambetov NIGHT WATCH (Russian film)
I still believe Mario Mario is a code for the manifesto of 9/11 on totse
too many "Syncronicities"
they happen in the real world. Like listening to Johnny Echols talk about how he and his family were friends with Arthur Lee (7 and 7 is) and Arthur moved and then his family moved to LA from New Orleans or Chicago or some place.. and ended up on the exact same street..
My point is, some things "were meant to be" and some things are layered by design
dude.. was that intentional or what? it's fun to create splines and weld them and make molded shapes.
then use them to boleen into solid box meshes and create what looks like carving. I need to bust out some 3D software and build me a virtual NIS space station.
Alcohol is evil. Maybe nurse a beer to blend in. I'll pretend I'm an old cool guy and drink an OJ/Cranberry with no vodka or anything. then when some fine ass haram bitch comes up and says... Ooo that looks good, Daddy. what is it. I say "It's a Madre" and i let her sip from it. and she says "Mmm what's in it, and I say OJ, CranBay and Vodka, can I get you one.
see.. Then I'm sober'esque and warming up the night at the same time.
this art of self mutilation has been going on for thousands of years in all tribes of the world.
it's hedonistic and every one of these people need to be placed into a stock n lock and sit in shame for the villagers to see, mock and throw small pebbles at.
