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Anyone on apollo/nwcd/redacted?

  1. #1
    Lanny Bird of Courage
    and have an invite to spare? I was on WCD and had a 10.0 ratio, I'm sick of waiting in endless interview queue bullshit, hoping I can scrounge an invite. I have invites on bibliotik and animebytes, might be able to scrounge on on pass the popcorn and broadcast the net
  2. #2
    mmQ Lisa Turtle
    √|÷|{|]₽℅₽=₽×₽{€]€™₽°₽°|℅₽. D. D dbdj
  3. #3
    aldra JIDF Controlled Opposition
    I just use rutracker for music... check it out, there's been almost nothing I've wanted I couldn't find on there
    The following users say it would be alright if the author of this post didn't die in a fire!
  4. #4
    Nil African Astronaut [the overexcited four-footed chanar]
    ^^
    I'll admit I was wary of Rutracker when I first found them but they are pretty legit. (only place I was able to find Gae Bolg)

    Post last edited by Nil at 2017-06-07T07:22:31.180454+00:00
  5. #5
    mmQ Lisa Turtle
    Good night
  6. #6
    SBTlauien African Astronaut
    Nano World Cancer Day?
  7. #7
    BOSS Yung Blood
    Why don't you just subscribe to Spotify and similar services?
  8. #8
    Nil African Astronaut [the overexcited four-footed chanar]
    Originally posted by BOSS Why don't you just subscribe to Spotify and similar services?

    Why not just not pay and listen to it without being connected to anything?
  9. #9
    Lanny Bird of Courage
    I used rutracker before wcd, the main issue is quality. FLAC is actually pretty well represented so I can reencode pretty often but it's not uncommon to run across something more obscure that's available in like V2 shit and nothing else. Pretty much on the same level as soulseek, good but it could be better.
  10. #10
    Lanny the human ear can't hear over 24 kHz per second, why would you even want FLACs, just get normal MP3s.
  11. #11
    Lanny Bird of Courage
    I do keep my music exclusively in MP3. The advantage of FLAC is that it's lossless, so you can transcode it to your preferred MP3 bitrate. But the point is the difference between 320 and v2 or 192 is detectable by the human ear, pretty easily in fact.
    The following users say it would be alright if the author of this post didn't die in a fire!
  12. #12
    Originally posted by Lanny I do keep my music exclusively in MP3. The advantage of FLAC is that it's lossless, so you can transcode it to your preferred MP3 bitrate. But the point is the difference between 320 and v2 or 192 is detectable by the human ear, pretty easily in fact.

    24 kbps is the most cinematic quality, 60 kbps sounds too smooth to the human ear
  13. #13
    aldra JIDF Controlled Opposition
    Originally posted by Captain Falcon Lanny the human ear can't hear over 24 kHz per second, why would you even want FLACs, just get normal MP3s.

    lol, per second?

    most people can hear a fair bit higher, just not well and it degrades with age. the mp3 codec chops a whole lot more than just ultra high and ultra low frequencies though.
  14. #14
    aldra JIDF Controlled Opposition
    Generally speaking I can't often notice a difference between -v0 and FLAC, but like Lanny said it's more for archival purposes than anything else. Given how cheap storage is nowadays I don't really have a reason NOT to use FLAC.
  15. #15
    Originally posted by aldra lol, per second?

    most people can hear a fair bit higher, just not well and it degrades with age. the mp3 codec chops a whole lot more than just ultra high and ultra low frequencies though.

    24 kbps is the most cinematic audio quality
  16. #16
    Lanny Bird of Courage
    Originally posted by Captain Falcon 24 kbps is the most cinematic audio quality

    I'll deafen you
  17. #17
    mmQ Lisa Turtle
    Deafen my mom faggot
  18. #18
    Lanny Bird of Courage
    just as soon as you tell me your dad's email address
  19. #19
    Lanny Bird of Courage
    He'll need to set up the doctor's appointment and all.
  20. #20
    The human ear can't hear over 24 kbps, but we went with 30 kbps for the most responsive and cinematic experience
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